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The words reel through her mind as she watches the game play out against the setting sun, but to no avail. Every time she tries to speak, she freezes, the awkward silence a dry heave, and then the moment passes along with the what-ifs and could-haves.
But the game is still young as she watches, the ball dribbles across the pavement to a John Wesley Hoover, 17, who arcs it, pushes up his glasses and watches the swish. Hoover chuckles, his jump shot never fails, and for a split second his eyes light up like when he's playing guitar again but it's already packed up in his Nissan. He's pretty good, suprising, since he hasn't played besides these Wednesday nights and the years up in his bedroom teaching himself.
Fasty gets the rebound, groaning. He's 22, but just like a teenager, he hates to lose. You can't tell by the way he slams down the ball that unlike a teenager, he owns up to anything he does wrong, that he has a respect and determination to be kind and sweet and everything he wasn't in high school. But, wait, look again and you see it – he tips it off to the freshman that he drives to club every week; Tyler takes it and sinks a layup and his face lights up. Fasty could have hit that shot with his eyes closed, not like he'd let anyone know.
Next thing you know Bob has the ball, and he takes it across the court, letting the imaginary clock run down. He's looking for the perfect spot to take the shot, but everyone knows he can make anything, he's just showing off.
She's still watching, and wondering if maybe him being a show-off is the real show after all, anyone who takes a minute to look at Bob can tell that he's the real deal. Both him and his wife Carrie are. They're teachers, not because they can't do anything better, but because they honestly want to make a difference and the truth is they do, because they're nice and funny and friendly and for some reason they still pay attention to high schoolers and their high school problems.
Carrie's on the sidelines, talking with Kelly, who's got a voice bigger than her body and a heart bigger than all that. Two minutes talking to her and you'll feel like her best friend, and the thing is that she actually cares. Alex is standing next to her, she's 17 and completely gorgeous but she doesn't know it. Maybe that's why she's so nice to the younger kids, or maybe that's just who she is.
Mel's there too, and when she laughs the gentle music fills the April air. She's quiet but when she talks she has something to say, while her arms are crossed they're also lifting people up. Her husband, Ben, is on the other side of the driveway, trying to dunk the ball but failing horribly. He's funny though, always smiling, and he knows just what to say to make someone feel a hundred times better. Speaking of which – "Hey, Rachel, you want to play?"
She catches the ball as easily as Ben hurls it to her. Rachel smiles and nods, her heart rising with the steady dribbles between her hands.
She shoots, she scores, and her eyes are tearing up because she's realizing once again that these are the most beautiful people she's ever met and she knows exactly why. Because she can sink a three pointer but she can't say two words to the eight people that saved her life. Because these Wednesday nights are the ones that she'll remember forever, but for all the money in the world she won't be able to come back and be any more charming or outgoing or any of the other things she so desperately wishes she was.
But then she smiles. Because somehow they love her anyway. And that's enough to carry her until she learns to fly.
But the game is still young as she watches, the ball dribbles across the pavement to a John Wesley Hoover, 17, who arcs it, pushes up his glasses and watches the swish. Hoover chuckles, his jump shot never fails, and for a split second his eyes light up like when he's playing guitar again but it's already packed up in his Nissan. He's pretty good, suprising, since he hasn't played besides these Wednesday nights and the years up in his bedroom teaching himself.
Fasty gets the rebound, groaning. He's 22, but just like a teenager, he hates to lose. You can't tell by the way he slams down the ball that unlike a teenager, he owns up to anything he does wrong, that he has a respect and determination to be kind and sweet and everything he wasn't in high school. But, wait, look again and you see it – he tips it off to the freshman that he drives to club every week; Tyler takes it and sinks a layup and his face lights up. Fasty could have hit that shot with his eyes closed, not like he'd let anyone know.
Next thing you know Bob has the ball, and he takes it across the court, letting the imaginary clock run down. He's looking for the perfect spot to take the shot, but everyone knows he can make anything, he's just showing off.
She's still watching, and wondering if maybe him being a show-off is the real show after all, anyone who takes a minute to look at Bob can tell that he's the real deal. Both him and his wife Carrie are. They're teachers, not because they can't do anything better, but because they honestly want to make a difference and the truth is they do, because they're nice and funny and friendly and for some reason they still pay attention to high schoolers and their high school problems.
Carrie's on the sidelines, talking with Kelly, who's got a voice bigger than her body and a heart bigger than all that. Two minutes talking to her and you'll feel like her best friend, and the thing is that she actually cares. Alex is standing next to her, she's 17 and completely gorgeous but she doesn't know it. Maybe that's why she's so nice to the younger kids, or maybe that's just who she is.
Mel's there too, and when she laughs the gentle music fills the April air. She's quiet but when she talks she has something to say, while her arms are crossed they're also lifting people up. Her husband, Ben, is on the other side of the driveway, trying to dunk the ball but failing horribly. He's funny though, always smiling, and he knows just what to say to make someone feel a hundred times better. Speaking of which – "Hey, Rachel, you want to play?"
She catches the ball as easily as Ben hurls it to her. Rachel smiles and nods, her heart rising with the steady dribbles between her hands.
She shoots, she scores, and her eyes are tearing up because she's realizing once again that these are the most beautiful people she's ever met and she knows exactly why. Because she can sink a three pointer but she can't say two words to the eight people that saved her life. Because these Wednesday nights are the ones that she'll remember forever, but for all the money in the world she won't be able to come back and be any more charming or outgoing or any of the other things she so desperately wishes she was.
But then she smiles. Because somehow they love her anyway. And that's enough to carry her until she learns to fly.
Literature
Intimes Tagebuch - 35 -
Intimes Tagebuch (35)
Da schreibt mir also völlig ungefragt dieser Typ, und was soll ich jetzt damit machen? Ihn blocken, logisch, aber sonst?
……
Was soll ich jetzt damit anfangen? Was will mir der Knabe damit sagen? Dass im Grunde mit seinem nicht mehr so stillschweigenden Einverständnis nun alles okay ist? Dass er, obwohl er ein Höhlenmensch ist, sich nun bemüht, offener zu werden? Und wie nett von ihm, dass er nichts unterbinden will. Sicher will er aber nur weiter mitlesen, was seine Freundin schreibt und was ich so schreibe - natürlich nicht, um sich daran aufzugeilen! Aber er muss informiert sei
Literature
30
In darkest night with roll of thunder
The Spectral Pirate
comes out to plunder
the innocents of sleepy streets
all unaware
'twixt crisp white sheets
With toothless grin and fingers dirty
that ghastly rogue
at number thirty
pries open doors and breaks in shutters
destroys antiques
and growling, mutters
'Bring out your wenches, buxom, gleaming
I'll violate them
Leave them screaming
I'll take your gold and riches few
and when I'm done
I'll f**k you too'
Debauched and drunk, this Privateer
will take your soul,
now listen, dear
Take your children, take your wife
and leave this street
Run for your life!
Literature
Rombos
por Romy Lara
El aire gélido se coló en la habitación y alborotó los papeles minuciosamente acomodados en el escritorio. Tronándose los nudillos de la mano izquierda, Julio se incorporó y cerró la ventana de un golpe. Afuera el cielo se caía pedazo por pedazo. Reacomodó el desorden que se había hecho en su mesa de trabajo, colocando cada documento en su lugar: los de etiqueta amarilla en la carpeta amarilla, los marcados con verde en la papeleta verde y así consecutivamente con cuatro colores más.
Procedió a sacar un cuaderno de portadas negras de su
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For Theme 43/100: Acceptance
This is a true story, except for some bits and pieces I threw in there to make it sound better. Some of the assumptions about people are shots in the dark, but the essential stuff is strong - these people are just so wonderful to me :3 And of course there are others too. But this is Younglife, and this is my life.
Edit: Um, I can't shoot a three pointer most of the time, just wanted to point that out. I'm not actually that good at basketball, I added that in there for effect XD.
Is it too long? Do the descriptions of the people seem monotonous or boring, and do they flow well together to build a strong theme?
This is a true story, except for some bits and pieces I threw in there to make it sound better. Some of the assumptions about people are shots in the dark, but the essential stuff is strong - these people are just so wonderful to me :3 And of course there are others too. But this is Younglife, and this is my life.
Edit: Um, I can't shoot a three pointer most of the time, just wanted to point that out. I'm not actually that good at basketball, I added that in there for effect XD.
Is it too long? Do the descriptions of the people seem monotonous or boring, and do they flow well together to build a strong theme?
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Comments23
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I do feel that there was something missing, mostly because it feels like a snippet of a larger, and just as grand story.
It's not to long(I felt it was to short), and It flows Very well; even with the character introduction/descriptions.
To me, the characters felt real, and to an extent showed a very good interaction with each other, outside events happening around them. Put shortly, the way you wrote characters in, strengthened the story, and gave the characters meaning.
It's not to long(I felt it was to short), and It flows Very well; even with the character introduction/descriptions.
To me, the characters felt real, and to an extent showed a very good interaction with each other, outside events happening around them. Put shortly, the way you wrote characters in, strengthened the story, and gave the characters meaning.